Digital painting

Lore & Background

Modern graphics tablets are now the tools of choice for digital painters.

Reader's Guide

Digital painting has become significant across multiple industries. In film production, it is used for concept art, matte paintings, and visual effects, with tools like Clip Studio Paint, Krita, and Blender. In video game development, concept artists use digital tools such as ZBrush and PaintTool SAI to visualize characters and environments. Advertising and marketing rely on digital painting for campaign visuals, as seen with brands like Coca Cola. Publishing uses programs like Corel Painter and Adobe Photoshop for book covers and illustrations; Rick Berry created the first digitally painted book cover for the novel Neuromancer. The growth of web-based painting programs, supported by HTML5, has also expanded access to digital painting.

Did You Know?

• Rick Berry created the first digitally painted book cover for the novel Neuromancer.

From Sketchpad to the Modern Tablet

That modest experiment set off a chain of hardware innovations that would eventually put a drawing surface in every artist's hand. By the mid-1970s and early 1980s, digitizers such as the Intelligent Digitizer and the BitPad, both manufactured by Summagraphics Corp, became commercially successful and found their way into high-end CAD systems and bundled PC software like AutoCAD. These early input devices proved that a stylus on a flat surface could communicate precise directions to a computer. Today, the descendants of those first tablets remain the primary drawing instrument for digital painters worldwide, connecting the medium's present to a lineage of experimentation that stretches back more than six decades.

The Software Revolution

The late 1980s and 1990s saw a wave of software that transformed digital painting from a niche experiment into a viable artistic discipline. Its success was amplified by the Macintosh, a smaller, roughly $2,500 machine with a graphical user interface that brought visual computing to the average user. Together, these programs form the backbone of the medium's professional toolkit.

Digital Painting Across Industries

Digital painting has become a foundational practice across multiple creative industries. In film production, artists rely on digital tools to produce concept art, matte paintings, and visual effects, designing environments, characters, and scenes that guide a film's visual development. Matte painting in particular enables the creation of realistic backgrounds and settings that would be impossible to capture on camera. Tools such as Clip Studio Paint, Krita, and Blender are prominent in this field. The video game industry similarly depends on concept artists who visualize characters, environments, and assets to establish a game's aesthetic blueprint, often working with ZBrush and PaintTool SAI. In advertising, brands use digital illustrations to craft attention-grabbing campaign visuals; Coca-Cola, for instance, has employed digital art to engage consumers through innovative and interactive content. Publishing is another major arena, where artists use Corel Painter and Adobe Photoshop to produce book covers, illustrations, and graphic novels at high quality and speed. Rick Berry stands out as a pioneer in this space, having created the first digitally painted book cover for the novel Neuromancer.

Democratization and the Web Frontier

One of digital painting's most significant contributions has been its role in making visual art accessible to a far broader audience. Although intended for young users, Kid Pix also served as a gentle on-ramp for adults encountering a computer for the first time. More recently, the growth of web-based painting platforms has extended that accessibility further. Users draw digitally through software hosted on a website's server, and with the emergence of HTML5, some programs now offload part of the processing to the user's web browser. While the range of tools and brushes may be more limited than in standalone applications, the speed of response, color quality, and ability to save or print work remain comparable. This evolution means that the act of painting digitally is no longer confined to a dedicated workstation but can unfold in a browser tab on virtually any connected device.